Some of the components he designs are like "variable springs", he explains – motion-controlling parts able to go into reverse and soak up some impact from the ground below, say. "It can dynamically absorb load as you need it to."
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// Each component enqueues a small chunk
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Dr Fraser Hunter, Iron Age and Roman curator at National Museums Scotland, said: "I've looked at carnyces from around Europe, and the full research and conservation of these incredibly fragile remains will reshape our view of sound and music in the Iron Age."